Joe, voiced by Jamie
Foxx, is a part-time middle school music teacher who hasn’t let go of his dream
of becoming part of a jazz ensemble. However, when he gets his big break of
performing with saxophonist Dorothea, voiced by Angela Bassett, is on the edge
of being accomplished, Joe falls in a life-threatening situation that cost him
his life.
When he’s on a hospital
bed, his soul travels to the beyond where souls get their personalities
implanted under the leadership of summary characters that are all named Jerry,
voiced by Alice Braga and Richard Ayoade.
Thinking this chance is
better than going to the next step into the great unknown; Joe agrees to mentor
22, voiced by Tina Fey, a soul that has little interest in going to Earth to find
her passion. A mistake sends them back to Earth in roles they didn’t want and
Joe beings a serious try to make his dream real no matter the boundaries.
Director/co-writers
Pete Docter and Kemp Powers have a smart idea. Jeffrey Lyles said in his
review, “They approach Soul with some unique real world moments mixed with
metaphysical and spiritual questions of purpose and self.”
Lyles continued, “The
waiting area is a slow moving conveyor while the staging area feels like
something workshopped for an app complete with a somewhat sterile, matter of
fact feel to it.”
As always, the
animation is top notch with some beautiful effects. Docter and Powers don’t stay
on the traditional modern animation styles and great creative with intangible
designs.
Lyles noted, “It’s not
hard to envision the think pieces dissecting the script, co-written by Mike
Jones, from deep thinkers. There’s some unintended connections to Get Out that
could ring out for some viewers and there’s the continuing trend with black
lead characters in animated films.”
“Soul” looks like it
was following the typical hooking people in cliché of animated films with black
leads like “Spies in Disguise” and “The Princess and The Frog.”
Everyone knows how the
marketing goes. Lyles said, “The black lead is heavily promoted only to get
turned into an animal early on.” “Soul’s” blue energy orb looking like Joe
really shocked people, and the patterns shows up in a more obvious way later
on.
Lyles admitted, “I felt
more lenient in this instance as Joe, the black main character, didn’t
disappear from the screen for lengthy potions of the film.” This is important
in the second act as Joe takes 22 on a tour of the city where she is amazed by
all of the sights, sounds and feelings with city life.
Lyles credited, “To the
filmmakers’ credit, Soul isn’t a color blind animated film. The film captures
the flavor of New York while nailing specific tones of black experiences like
the communal feel of a barbershop and family pressures. These scenes are easily
some of Soul’s richest and most rewarding scenes.”
The score by John
Baptiste, Trent Reznor and Atticus Ross is also excellent and is the type you’d
play in the background just to listen to the score.
“Soul” might not be
playing every formula piece of “Inside Out,” but it is working off a similar
formula. Instead of emotions, “Soul” looks at passion and purpose. Pixar films
always hit the right areas of entertaining children and adults in different
ways and “Soul” might hit a little differently for adults this time.
The children audience
will love the slapstick physical comedy and body switches, but adults may find
the questions of purpose way more significant.
A lot of Pixar films
give adults an unusual look at life they’ve already gone through. “Soul” shows
the future is still ahead for those who still want to go through it.
This is a movie that
was needed for this year. This is a good lesson for everyone watching to be
fearless, dream big, hold on to those dreams and massage them because dreams do
come true. Follow your passions and harness them. Don’t ever think that you don’t
have a purpose in this world, you have a purpose and you need to find out what
that purpose is. This is great for those who have doubts and think negative
thinking they are worthless when no one is. The animation is great, the CGI
looks like you’re looking at real people at certain areas, and the voice acting
is top notch. Seeing how this was released on Disney+ today, if you have an
account, check this out because I give it a recommendation. I would even say
this is one of my favorite Pixar movies. Give it a watch, and brighten up your
holiday cheers.
Once again, Happy
Holidays to everyone. I hope all of you have been playing it safe. Stay tuned
tomorrow for when we finally wrap up “The Mighty Ducks trilogy” in “Disney
Month 2020.”
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