Shortly after the
horrendous “Friday the 13th Part VIII: Jason Takes Manhattan,”
Paramount sold the rights to the “Friday the 13th” franchise to New
Line Cinema (the same company who created Freddy Kruegar). The time between the
eighth and ninth sequels was four years, the longest everyone went through
without a new “Friday the 13th” movie. Originally titled “Friday the
13th Part IX: Jason Goes to Hell,” it was changed to “Jason Goes to
Hell: The Final Friday,” released in 1993, where they wanted to interest every
fan. George Rother stated in his review, “It’s a good title, but the purist in
me likes the first title better.” Once again, the word “final” is in the title.
Look, we’ve been through this before and know the deal. Rother said, “I’d like
to preface my next point by saying that I do like Jason Goes to Hell. It’s campily entertaining and has a fair amount of
gore. My problem with it is that it attempts to explain why Jason Voorhees
can’t die. BAD IDEA! Some things are just better left unexplained. The fact that
Jason can’t be killed is something that should be accepted on faith alone, much
like a child believes in Santa Claus bringing toys to all the children of the
world in a single night. It’s a paradox really. I wanted to know why Jason
couldn’t die, but deep down I really didn’t.”
Rother goes on to say, “All
that aside, the explanation offered up by Jason Goes to Hell is absolutely
ludicrous, so much that I still shake my head in disbelief twenty-odd years
later.” It should have made the movie into a complete failure, but in a strange
way, it doesn’t. Look, I know this is a bad movie, but it’s the kind that you
like to watch because of how much fun you have.
In the years since he
went to New York, Jason is now back to his original home and went back to his
murderous ways. As the film starts, a young woman, played by Julie Michaels, walks
to her cabin at Crystal Lake. It’s night, she’s alone and does everything girls
in horror films shouldn’t do (like going outside to get something from a shed,
takes a shower). As you might have guessed, Jason, reprised by Kane Hodder,
shows up and chases her through the forest…right in the middle of the FBI. They
shower him with bullets before blowing him to smithereens. Seeing how they
believe they have finally killed him lets us know that they don’t know who they’re
up against. His corpses are taken to a secure government building for the
autopsy. The coroner, played by Richard Gant, becomes hypnotized and eats Jason’s
beating heart. He becomes possessed by Jason’s spirit. I’ll explain it for
everyone. The spirit, which clearly looks like a giant black worm (or a turd,
if you want to describe it that way), moves from one body to another as it
needs to, normally when one body starts to decay. How nice. Continuing, for
Jason to go back to his human form, he needs to be reborn through a blood
relative. In other words, only a Voorhees can kill a Voorhees.
Coincidentally, Jason
does have family in the Crystal Lake area, like his half-sister Diana Kimble
(Erin Gray), her grown daughter Jessica (Kari Keegan) and infant granddaughter
Stephanie (Brooke Scher). This causes Jessica to return to Crystal Lake and be
reunited with her ex-boyfriend/daughter’s father Steven, played by John D.
LeMay. He’s completely aware of the situation thanks to bounty hunter Creighton
Duke, played by Steven Williams, who also is out to kill Jason. Jason changes
into a few different bodies in his forceful mission of Jessica and her baby
while Steven tries to protect them. Rother said, “As I write this, I’m thinking
about my initial reaction to Jason Goes to Hell upon seeing it opening day way
back when. It sounds more like a sequel to The Hidden (another New Line
release) than an F13 movie. It’s this kind of thing that makes me smile with
bewildered delight.” At least the movie doesn’t take itself too seriously.
Rother said, “Directed by Adam Marcus, it’s decidedly tongue-in-cheek,
especially with allusions to other classic horror flicks of the 80s. I won’t
spoil the surprise by pointing them out here, I’ll only tell you to pay
attention to certain background objects in the old Voorhees house. This raises
a real quandary for me. Should I discuss the final scene or not? I mean, this
movie is 21 years old, so most people have seen it. Also, it sets up the events
of a particular sequel, so it’s not like I’m dropping a major spoiler. I guess
I’ll leave it alone for now.”
One thing that you should
like about “Jason Goes to Hell” is how many people have come back for this
movie. Producer Sean S. Cunningham and composer Harry Manfredini both return to
the franchise. Also, Kane Hodder reprises the role of Jason for a third time. Rother
said, “It dawns on me that I failed to mention him in previous reviews and the
man certainly deserves his props.” He makes a great Jason Voorhees. There are
also some of the best kill scenes. Here they are: an assistant coroner (Dean
Lorey) gets stabbed in the back of the head with a probe, a naked woman (Michelle
Clunie) gets cut in half from behind (really graphic), Jason smashes two cops’ (Mark
Thompson and Brian Phelps) heads together, a man’s (Adam Cranner) arm is broken
in a grotesque way, another (Leslie Jordan) gets scalded in a deep-fryer, a
woman’s (Rusty Schwimmer) face is literally smashed in, another woman’s
(Allison Smith) head is crushed until blood comes out and a decapitation (Kipp
Marcus). Rother noted, “I counted 18 onscreen deaths and 4 body jumps (I didn’t
count them with the killings). The previous two F13 installments weren’t
particularly gory, so it’s nice to see a return to form. Actually, Jason Goes
to Hell is the goriest F13 yet. Of course, I’m talking about the unrated
version on DVD as opposed to the one released theatrically. Other than the
woman (Michelle Clunie) being cut in half, I couldn’t say what was added or
expanded. It may be more-than-sufficiently bloody, but that doesn’t change the
fact that it’s the silliest entry in the series. If I may return to a point
previously made, sometimes the answer to a burning question proves
unsatisfying. Perhaps it’s best not to seek answers at all to certain
questions. I remember hearing a classmate make a similar point when 2010 came
out in December ’84. He said that while it’s a good movie, it spoiled the mystery
of 2001: A Space Odyssey. I get it, I really do. That being said, I like Jason
Goes to Hell as a slasher flick, but not as an explanation of Jason’s
immortality. I prefer to keep thinking of him as the hockey-masked killer that
never dies no matter what.”
Look everyone, I know
that this is a bad movie, but I actually enjoyed myself when I was watching it.
It was different, for sure, but in a way that I actually thought was
interesting. It didn’t repeat the same gags as before and tries something new,
which I give it credit for. Plus, the look they gave Jason was actually fresh, we get some great creature effects and it's very different from the rest. Definitely see this one and see for yourself. If
you don’t like it, I understand, because people like to say this film is a mess. If you do like it, more power to you. I might
place this under the sixth movie on my list, but I would have to rethink the
list up before I rank them again.
Alright everyone, time
to grab on to your vomit bags again. Tomorrow we will be looking at the
absolute worst in the franchise. I’m not looking forward to it either, but just
bear with me. The sooner we can get it over with in “Friday the 13th-a-thon,”
the sooner I can get back to good stuff in this year’s “Halloween Month.”
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