When “A Nightmare on
Elm Street 3” came out in 1987, Freddy Kruegar had launched and started to
become a household name.
Unlike the first film
he was only an evil incarnation – a child murderer killing in the dreams of the
parents who killed him – by the third movie Freddy was saying one-liners and
making people scream with laughter rather than fear.
“A Nightmare on Elm
Street 4: The Dream Master,” released in 1988, continued this pattern by giving
an even more one-liner saying, enjoyable Freddy, with a fear value taking
another joke as a result.
Chris Scullion said in
his review, “However, as a shameless Nightmare On Elm Street devotee, I’m not
fussed in the slightest. Hey, if you want objectivity, visit the BBC.”
Picking up right after the
last movie, “The Dream Master” starts with the surviving characters Kristen
(Tuesday Knight), Joey (Rodney Eastman) and Kincaid (Ken Sagoes) released from
the therapy houses they were staying at returned to their families in
Springwood.
However, Kristen is
worried, and not just because she’s not reprised by Patricia Arquette, who
became pregnant and had to be replaced. She’s been having dreams about Freddy’s
house again, and is sure he isn’t completely dead yet. After all, why would this
movie have been made then.
Scullion said, “Sure
enough, ol’ Scarface himself returns through the oddest method I think I’ve
seen in a slasher film: Kincaid’s dog (Jake), who’s in his dream with him, urinates
fire on Freddy’s remains, bringing him back to life.”
Nonetheless, now he’s
back Freddy has unfinished business: killing those three survivors. Kincaid is
first and Joey soon follow but just as Freddy’s about to kill Kristen, she uses
her special power to bring her friends into her dreams, pulling new character
Alice, played by Lisa Wilcox, into her dream. Are you following?
As she dies, Kristen
tries to send Alice her dream-pulling powers, but Freddy gets in the way and
steals them instead. Using Alice’s dreams, Freddy now has a way of finding and
killing other kids, starting with her other friends.
There is, however, a
twist that develops as the film goes on. Alice has her own special power she
didn’t know about: as her friends die in her dreams, she gains their abilities.
For instance, when kung
fu student Rick, played by Andras Jones, dies, she gains his kung fu skill.
Scullion admitted, “Look, I know, this isn’t exactly Argo.”
Scullion continued, “The
first and third Nightmare On Elm Street films are widely regarded as the best
of the bunch, but I’ve got a bit of a soft spot for the fourth one too. Part of
this is because its dream sequences are perhaps the most imaginative in the
series.”
One specific memorable
scene starts with Alice falling asleep at the theater and being dragged into
the screen, where she is in a shabby diner and meeting an old version of
herself, who cooks a pizza which has little screaming heads as meatballs.
Another intelligent
trap is Alice and her new boyfriend Dan (Danny Hassel) in an endless loop - the
classic déjà vu dream everyone has – while her friend Debbie (Brooke Theiss) is
turned into a human cockroach and killed. Scullion admitted, “All fairly
bizarre stuff, I’m sure you’ll agree.”
By this point the
series had gotten to the point where the actors’ performances weren’t really so
important, since it was known that one man alone had all the pressure put on
them to carry the film.
As you might have
guessed, Robert Englund once again is the star as Freddy Krueger. Scullion
said, “Ditching the dark side of the character almost entirely (well, other
than the fact he kills teenagers), Freddy’s got more one-liners than a Stewart
Francis gig.”
Joey falls asleep on
his water bed and dreams that a supermodel is swimming around naked inside it.
Out comes Freddy who kills him, asking, “How’s this for a wet dream?”
Another unfortunate
friend, Shelia, played by Toy Newkirk, suffers from asthma. When she falls asleep
during a test, Freddy becomes her teacher and asking, “wanna suck face?” He
proceeds to give her kiss that sucks all the oxygen out of her body,
suffocating her.
It’s strange set-pieces
like this that set the “Nightmare on Elm Street” franchise different from other
slasher franchises in the 80s, which were limited to at least some point of
realism.
The films of “Friday
the 13th” and “Halloween” kept horror fans satisfied with so much
bloody murders, but Jason could never turn invisible and have a kung fu fight
with someone, and Michael Myers could never turn into a doctor to kill someone
in their subconscious while they’re sedated at a hospital.
All of that is
perfectly supported with some fantastic pre-CGI special effects, especially
Freddy’s disgusting death scene where the souls of the kids he’s killed come
out of his chest and rip him to shreds.
Scullion said, “I fully
appreciate that A Nightmare On Elm Street 4: The Dream Master is bloody
ridiculous. I appreciate that the stars (Englund excepted) couldn’t act their
way out of a mugging and I appreciate that it’s about as scary as dropping a
crisp.”
Scullion ended his
review by saying, “But more than that, I appreciate that the film, like the
rest of the series, relishes in the freedom Wes Craven’s original idea gives it
and the sheer imagination on display. And I love that it’s clearly having a
good laugh with it, with a sense of humour that’s contagious.”
I know this is a bad
movie, but it’s an enjoyable kind of bad. I will say check this film out, but
bear in mind that it’s a step down from the first and third movie. Don’t miss
this one, even though I know the story doesn’t make a lot of sense and the
graphics and kills will most likely make you hurl.
Alright everyone, look
out tomorrow when we look at an underwhelming entry in “Elm Street-a-thon.” I
think everyone knows why I say that, but you’ll have to wait and see in this
year’s “Halloween Month.”
No comments:
Post a Comment