If you get straight to
the point, “A Nightmare on Elm Street” is a 2010 remake about people trying not
to fall asleep. Eric D. Snider admitted in his review, “Having just watched it, I know how they feel. OH
SNAP!”
There was no point to
remaking the 1985 slasher classic, as you might have guessed, except that “Halloween”
and “Friday the 13th” were already remade, and they thought to
complete the trifecta. However, it could have been done with better care than
what we got. The idea of a person who haunts you in your nightmares is really
scary – or, it should be. Leave it to the people in charge of remakes to suck
out all the horror of something as simple as that.
In the town of
Springwood, Ohio, some of the teenagers are haunted by nightmares where a
burnt-faced, razor-fingered mental person named Freddy Krueger, played this
time by Jackie Earle Haley, tortures them. It is told that whatever Freddy does
to you in your nightmares happens when you wake up. Snider asked, “So, for
example, if Freddy gives you a wedgie, you’ll wake up with a wedgie. Or if he
slices you in half with a machete, your sleeping body will be rent in twain by
an invisible force.”
Among the ordinary
teens that are haunted are Quentin (Kyle Gallner) and Nancy (Rooney Mara), who
are both threatening and dark anyway. Kind of lighter, though still gloomy, are
Kris (Katie Cassidy), Jesse (Thomas Dekker) and Dean (Kellan Lutz). Don’t get
too friendly to them though.
Snider admitted, “Look, I’m not going to mince words.” Some of these characters die. What’s disappointing is that not one of them dies in a fascinating way. Freddy mostly does the usual ways such as stabbing and slicing, and everyone’s nightmares seems to be the boiler room, the one where there’s always lots of clanging and steam and so forth. Whatever happens to the kids is followed with knife-sharpening sound and booming of “scary” music. Snider said, “This is Scary Movie Making 101, and first-time director Samuel Bayer (he made music videos before this) may be required to repeat the course.”
Snider admitted, “Look, I’m not going to mince words.” Some of these characters die. What’s disappointing is that not one of them dies in a fascinating way. Freddy mostly does the usual ways such as stabbing and slicing, and everyone’s nightmares seems to be the boiler room, the one where there’s always lots of clanging and steam and so forth. Whatever happens to the kids is followed with knife-sharpening sound and booming of “scary” music. Snider said, “This is Scary Movie Making 101, and first-time director Samuel Bayer (he made music videos before this) may be required to repeat the course.”
Should I say that the
screenplay – written by Wesley Strick and rewritten by Eric Heisserer – has the
characters speaking only the most basic dialogue? Also, the characters
themselves have no noticeable personality traits? Also, there isn’t an actual protagonist,
but just characters that don’t get killed? Oh, I didn’t need to say that
because you already know that? Good.
What the film does get
right is Freddy Krueger. The later sequels in the original franchise made him
into a wise-cracking, one-liner-dispensing foil without any type of fear. The
new Freddy returns to basics. Played with nasty delight by Jackie Earle Haley,
this Freddy is good and scary, the way Wes Craven original wanted. Too bad he’s
in a nightmare of his own: a movie that doesn’t have humor, originality,
inspiration or suspense. Snider ended his review by saying, “Wake me up when
they come out with something new.”
Like the “Friday the 13th”
remake, this is the first one that I saw of the “Nightmare on Elm Street”
franchise, and just like the “Friday the 13th” remake, I hated this
remake. I hadn’t even seen the original movies, and this one made me hate the
remake, noticing how poorly it was made. Also, Jackie Earle Haley sounds
exactly like he did in “Watchmen.” Are his vocal cords just used to speaking
that way, or can he not even try and imitate the way Robert Englund made Freddy
sound? I don’t know, but this movie was just superfluous. They shouldn’t have
made it. If you want to watch any of the movies, the first, third, and “Wes
Craven’s New Nightmare” are the ones that are the best. You can watch the other
sequels if you want, but this remake is, hands down, the worst in the
franchise.
Well, we have finally
reached the end of our “Elm Street-a-thon.” Sorry we had to end off on a bad
note, but we have finally made it through. Check in later today where I review
another movie that is a horrible sequel to a nice, dark movie. I know I have
looked at a lot of those, but this is one that I feel like I should share my
thoughts on in this year’s “Halloween Month.”
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