The return of Wes
Craven and the first film cast of Heather Langenkamp and John Saxon in the
third installment of the series helps raise “A Nightmare on Elm Street 3: The
Dream Warriors,” released in 1987, into a better sequel than the previous one
(the wrongfully hated “A Nightmare on Elm Street 2: Freddy’s Revenge). However,
Craven’s minimal role as co-screenwriter if noticed from first minute to last
as the horrors from the first film are replaced by comic book murdering.
Paul V. Wargelin stated
in his review, “Hardly surprising now considering the film's director is Chuck
Russell (THE MASK, ERASER), who also co-wrote the screenplay with Craven, Frank
Darabont (the critically-acclaimed writer/director of THE SHAWSHANK REDEMPTION
and THE GREEN MILE), and Bruce Wagner (WILD PALMS [TV]).”
It’s been six years
since what happened in the first film. Kristen Parker, played by Patricia
Arquette, is Freddy’s new target, and her nightmares have made try to kill
herself (or did Freddy cut her wrists?). Wargelin said, “Placed in a hospital
for troubled teens, she meets with fellow haunted insomniacs who are a mixed
batch of Breakfast Club-style teens typical of late 80s movies.” There’s basket
case Taryn (Jennifer Rubin), obnoxious wise guy Phillip (Bradley Gregg), stereotypical
awesome black man Kincaid (Ken Sagoes), an aspiring actress Jennifer (Penelope
Sudrow), Dungeons & Dragons fan Will (Ira Heiden) and mute, obsessed Joey
(Rodney Eastman).
Everyone is under the
supervision of Dr. Neil (Craig Wasson) and Dr. Elizabeth Simms (Priscilla
Pointer). They psychiatrists don’t even attempt to help the inmates until Nancy
Thompson, now a grad student in psychiatry, comes to the hospital. With her
help, they find out that Freddy Kruegar has been resurrected to kill off the
last of the Elm Street children, whose parents had burned him alive for child
murder.
This time, the latest
victims on the list have the upper hand. While sleeping, Kristen has the
ability to bring other people in her dreams. Under Nancy’s leadership, the kids
become “The Dream Warriors,” who can fight Freddy in his realm – and hopefully
end him.
In the real world, Neil
has been contacted by Sister Mary Helena, played by Nan Martin, who tells him
about Freddy’s haunting past, and tells him that in order to kill Freddy, his
body must be buried in the cemetery. Nancy’s father, Lt. Donald Thompson is the
only person who knows where Freddy is buried – and his behavior, as reflected from
the first film, stays one of disbelief.
The many collaborating
writers explain why there’s so much going on in this film. Wargelin said, “The
basic premise is what drew me in the first time I saw it, but unfortunately,
the film never lives up to expectations.” The Dream Warriors never face Freddy
as a team. They are separated and killed one at a time without too much trouble
despite their powers.
Wargelin is right when
he said, “The film also suffers from its stereotypical teen characters, as well
as that of the closed-minded Dr. Simms. Watching her banter with her patients
and undermine the efforts of Nancy and Neil makes one wonder how she got a job
working with adolescents to begin with.” With that said, the screenplay still
does give the characters a signature trait – Kristen paints dark works of art,
Jennifer burns herself with cigarettes, and Phillip builds marionettes.
Filled with imaginative
visual and special effects including Ray Harryhausen-type scenes including a
claymation marionette and a skeleton, as well as Freddy using certain objects
as a television set, someone’s veins and a bathroom sink to kill his victims,
this movie deserves a high recommendation, including the fact that Laurence
Fishburne is in here.
Now the series is going
to take a change in direction with the next few sequels. If you want to know
what I mean, stay tuned tomorrow for the continuation of “Elm Street-a-thon” to
find out in this year’s “Halloween Month.”
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