The movie is directed
by John Luessenhop, who starts with movie off with a great montage and
highlights from the original movie that catches everyone up with the powerful
original film and the beast from it, Leatherface. It starts right after Sally Hardesty,
played by Marilyn Burns, escaped on the pickup truck. She tells the police to
go to the Sawyer house where they kill the whole family, except for a baby.
Then it cuts to present day where the baby, Heather Miller, played by the hot
Alexandra Daddario, who is now a sight for sore eyes (despite that it has only
been 38 years) and the Sawyer house is left to her in a will from one of her
unknown relatives. What she doesn’t know is that she also gets Leatherface.
The idea is rightfully
nice, since this will not only intrigue newbies, but also get credit from
diehard horror fans. Mr. Disgusting states, “It was obvious since the casting
announcements that the goal of the producing team was to first and foremost
make the fans happy, an urge that shows onscreen with some loving nods to the
original.” The mistake they made is getting everything completely together.
Right after Leatherface, played by Dan Yeager, is introduced, a majority of the
second half is where they try to find evidence of the killing that happened at
the start of the film. When they get Heather to go through the police files,
the editing staff tries to do something innovative by cross-cutting parts of
Officer Marvin, played by James MacDonald, slowly walking around the Sawyer house.
Because we already know that Leatherface is down in the basement to kill him,
you’re not at all scared.
Mr. Disgusting noted, “There’s
also a bland an attempt to villainize the locals, which comes off a bit trite,
and turning Leatherface into an antihero is about as ill-advised as when the
Predator teams with a human in Alien vs. Predator.” There’s nothing scary about
one of the slasher villains when you are sympathizing with them. I guess you can
say that the sudden change of events would have been done better if they placed
it in the second act, instead of making it the ending.
All of this goes back
to the problem with the tone. “Texas Chainsaw 3D” isn’t scary or vicious. Even
though plenty of blood, guts and gore are spilt, none of it is realistic –
nothing makes you jump in your seat (like seeing teeth fall out of a mouth or
hands severed). Also, it’s not really fun. None of the characters (rapper Trey
Songz, Tania Raymonde and Keram Malicki-Sánchez) are rare or interesting, other
than those desperate men who want to see a naked girl. Heads up men, it doesn’t
happen in this movie.
Mr. Disgusting ended
his review by saying, “Even if TCM3D were tonally in tune, it wouldn’t be well
received. And the fact that it is ultimately a run-of-the-mill slasher means
it’s basically only going to connect with hardcore TCM fans, whom are the only
people I recommend see the film.”
Overall, I thought this
film was ok, and I would place it in the middle of franchise. If you would like
to see the film, it’s up to you. Fans of the franchise wouldn’t be happy to see
an average film in this franchise, especially with how high they set the bar in
terms of horror. I saw this on Netflix and I didn’t really mind it so much, but
thought it was average.
Well, that ends my
review on the “Texas Chainsaw Massacre” franchise. Check in tomorrow on the
next horrible franchise which I will look at for this year’s “Halloween Month.”
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