The basic story is easy
and it has been done before in many films, including the really obvious
comparison of Steven Spielberg’s “Hook,” but it’s one that works really well in
this film. “Christopher Robin” eventually is a nice, adult film that strangely
is more targeted to adults than the children. Kyle Wilson said in his review, “Much
of the early film deals with tragedy and the pains of growing up for
Christopher, albeit handled very gently by Forster knowing the family audience
appeal of the characters.”
Wilson continued, “There
in that first half of the film is where Christopher Robin will suffer with
family audiences, namely the children that will expect more cuddly adventure
and less mid-life crisis introspection. Those enjoyably nuanced character
moments with Christopher as he grows up will go right over the heads of most
young ones and quite frankly might bore many a child right out of the
experience.”
It’s hard to criticize
a film for having minor character moments done with respect and love, but the
favorite team of The Hundred Acre Wood should touch every adult in all
generations and not just be a paid respect for adult nostalgia. Wilson said, “Thankfully
the melancholy and at times emotionally manipulative first half of the film
takes the leash off for the final act with all of the characters in classic
form going through a note-perfect adventure with the Robin family that, by this
point, has earned the big smiles that will be no doubt be on the audience’s
faces.”
Another aspect that
will not really be understood by children will be the beautiful visuals of both
London and The Hundred Acre Wood. Wilson said, “The entire film has a stunning
pastel watercolor palette that instills a somber feeling of old memories and a
world moving on. Christopher Robin as a film is not the bright flash and
pizzazz of The Incredibles 2, this is mostly a quiet, reflective film that
lovingly sends Pooh and friends on a new kind of adventure with Christopher and
his family.”
Speaking of the Robin
family, Ewan McGregor plays the adult Christopher Robin and there could not be
a better choice for the role. The character of Christopher Robin is loaded with
some heavy material as an adult and doesn’t always act in the most nice or
likable ways to his wife Evelyn (Hayley Atwell) and daughter Madeline (Bronte Carmichael)
or even Pooh himself when he all of a sudden arrives in London. However,
McGregor can be immediately likable and simply joyful in his performance that
can instantly make you forget any problems the character has collected with one
smile or act of kindness.
Wilson said, “Christopher
Robin isn’t your typical summer blockbuster experience at the cinema and is
predominantly a film of quiet contemplation and the magic of nostalgia that
would seem to be a better suited release for the holiday season.” Besides that,
the film is a beautiful, nice trip back to your childhood that may lose current
children after the miserable first half, but wraps things up with a nice fulfilling
story with warmth and friendship.
This is definitely
worth watching for those who are lifelong fans of Winnie the Pooh, like me. You
will fall in love with this after watching it because it is a very nice story
with some real sad moments. If you cry during certain parts, I won’t be
surprised. If you missed the chance to see this in theaters, see it as a
rental.
Look out tomorrow for
the finale to “Disney Live-Action Month.”
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