For April, I’m thinking
of doing another “Jack Nicholson Month” where I review other famous movies that
he starred in. Let’s get it started again with the 1974 classic, “The Last
Detail.”
This is one amazingly
funny, hysterically smart performance, plus two others that are excellently
good, which work very well given the reflective harshness that it looks like a
new definition for anti-comedy. Vincent Canby said it best when he said, “It's
a good movie but an unhomogenized one.”
Canby went on to say, “"New"
is perhaps a poor word to use in connection with the film. Like the recent
"Cinderella Liberty," which was also based on a novel by Darryl
Ponicsan, "The Last Detail" considers the lives of career United
States Navy sailors with a gravity that recalls the atmosphere of the late nineteen-forties
and fifties, when World War II was still freshly won, Korea was being brought
to a close, and Ike was going to throw the rascals out of Washington. In the
years that preceded the political and social upheavals of the nineteen-sixties
and seventies, ignorance still possessed some innocent charm.”
Canby continued, “It
doesn't any more. It seems frivolous and a bit scary. So much so that I suspect
that Hal Ashby who directed "The Last Detail," and Robert Towne, who
wrote the screenplay, may have thought of their leading character, who is 20
years behind the times and only vaguely aware of the fact, as a lot more
representative of many American lives today than the rest of us would care to
think.”
This character, greatly
played by Jack Nicholson, is Signalman First Class Buddusky, a 20-year Navy man
of funny and frequent unnecessary confidence. Buddusky and Gunner’s Mate First
Class Mulhall, played by Otis Young, are tasked to take from Norfolk, Virginia
to the naval prison in Portsmouth, New Hampshire, an 18-year-old sailor
sentenced to eight years in jail for trying to steal $40 donations for polio.
“The Last Detail” is
the story of this travel, which takes up a good amount of a week and performs
the growing anxiety of Buddusky as he tries to show the prisoner what he thinks
is a good time. The three have a beer party in their Washington hotel room,
where Buddusky gets the kid inebriated for the first time and tries to make him
happy. “Think of it this way,” he says in result, “you’ll get two years off for
good behavior.”
In New York, they go
into a Nichiren Shoshu prayer meeting and en up at a Village Party where
Buddusky tries to sleep with a pretty, completely serious young woman, played
by Luana Andres, by talking about the romance of the sea, while she would
rather talk about President Nixon or race relations.
On their last day in
Boston, Buddusky and Mulhall take the prisoner to a corrupt prostitute club
where they show him their introduction to intercourse by paying his tab. This
experience, with a girl, played by Simka Dahblitz-Gravas from “Taxi,” comedian
Carol Kane, who is softly sweet and a down-to-earth professional at the same
time, is what finally disturbs the prisoner who, up to that point, has more or
less accepted what’s going to happen.
Jack Nicholson controls
the film with looks like a collection of boastings optimistic, knowing, angry,
foolish and lonely. It might be the best performance he ever did. Canby said, “If
anything it's almost too good in that it disguises with charm the empty
landscape of the life it represents.”
Otis Mulhall, by being
African-American and playing a man who is as thoughtful and persistent as
Nicholson is naughty, is the one person who gives the movie an up-to-date look.
Canby noted, “In World War II, black sailors seldom got out of the galley.”
Randy Quaid, who had a
small role in “The Last Picture Show,” is a genius stop for Nicholson as the
always polite prisoner who, for a good majority, refuses to share Buddusky’s anger
at the injustice of his sentence. Early on, he has admitted to Buddusky that he
had trouble with the police before enlisting in the Navy. Buddusky
professionally asks, “Was it in the nature of a felony or a misdemeanor?” The
prisoner responds, “It was in the nature of shoplifting.”
Hal Ashby continues in
making comedies that are never as funny as the behaviors he gives them would
have you believe. Canby credited, “"The Last Detail" is his most
interesting and contradictory so far. You'll laugh at it, not through your
tears but with a sense of creeping misery.”
As I have stated, this
movie has to be seen to be believed. It’s actually a good movie to watch and
you’ll love it, especially if you’re a Jack Nicholson fan. This even has the
line where Nicholson yells, “I am the mother****ing shore patrol mother****er,
I AM THE MOTHER****ING SHORE PATORL!” Yes, I did censor that, and you know why.
Check in next Friday
when I review a masterpiece in “Jack Nicholson Month Part 2.”
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