The story location in the titular metropolis, which,
as you may remember (and, if you don’t, the film gives a helpful recap at the
beginning), is a fantasy city where every manner of mammals live together in
complete peace. The city is divided into four districts that give ideal
environmental conditions for the different types of animals that live there. The
districts are separated by giant walls that keep the fighting environments
(e.g., Tundratown and the Rainforest District) separate.
We start right were the first movie ended, with Judy
Hopps (Ginnifer Goodwin), the determined, bright-eyed bunny who became the first
rabbit police officer, and Nick Wilde (Jason Bateman), a sly con-artist of a
fox, working together as a team. Having hugely (but not completely) overcome
their differences, they still feel the need to prove themselves in a police
force that is not used to rabbits and foxes being counted among their ranks
(police officers normally are larger animals like zebras, hippos, and, of
course, returning water-buffalo Chief Bogo, voiced by Idris Elba). Kendrick is
right when he said, “If the first film was about breaking through stereotypes
and the importance of digging beneath assumptions, Zooptopia 2 doubles down on
that message by expanding beyond the inherent tensions within the city itself
and bringing in a group of animals that has been expelled entirely: reptiles.”
We find out that there are no reptiles in Zootopia
because they were forcibly expelled a century ago due to a snake being accused
of murder. Kendrick said, “Those accusations happen to come from the wealthy
Lynxley family, a dynasty whose paterfamilias was responsible for designing the
walls that made Zootopia possible. So, we have a monied, powerful, politically
connected family with a vested interest in maintaining its power by pushing a
(possible false) narrative that demonizes another group and requires their
expulsion.” Sound familiar?
Kendrick admitted, “I won’t dig too deep into the
narrative details because part of the film’s pleasure is the way the mystery
unfolds; it plays like a good ol’ fashioned police procedural crossed with
Hitchcock’s wrongly accused man hijinks, wrapped up in computer-animated mania.”
Safe to say that Judy and Nick come upon a deep conspiracy that involves, in
one way or another, a trafficked snake named Gary, voiced by Ke Huy Quan. The
awkward, black-sheep youngest member of the Lynxley dynasty (Andy Samberg),
which is in charge by his gruff father (David Strathairn). The horse
movie-star-turned-Zootopia mayor, voiced by Patrick Warburton. Finally, a
conspiracy-theory-confused podcaster-beaver named Nibbles Maplestick, voiced by
Fortune Feimster.
Kendrick pointed out, “There are a lot of twists and
turns and hyper-funny action sequences, but the movie is constantly moored by
the heart-and-soul ethos embodied by Judy and Nick’s odd-couple chemistry,
which works (as they eventually learn) precisely because they are different.
The film embraces diversity not as a bumper-sticker slogan, but as an ethos
that creates a better world through understanding and acceptance. If that
sounds too mushy, don’t worry—the film isn’t above sending up touchy-feeliness,
which we see in the emotional breakthrough moment when Judy, the insecure
overachiever, and Nick, the insecure swindler, admit to each other all of their
personal and psychological shortcomings, which is both immensely touching and
absolutely hilarious (“It’s true! I do need a herd of therapy animals!”).”
Kendrick continued, “Such moments suggest that
returning screenwriter Jared Bush, who again co-directed with Byron Howard
(they previous collaborated on Encanto), sees his characters as more than
plug-n-play figures, and it helps that Ginnifer Goodwin and Jason Bateman give
Judy and Nick such life. Granted, the film’s emotional contours tend to be
drowned out by some of the visual excess, including an unexpectedly spot-on
homage to the climax of The Shining (1980), and some of the characters feel
like they’re trying too hard to be memorable (I’m looking at you, Nibbles).”
However, on the whole, “Zootopia 2” admirably balances visual desire and
genuine emotion.
The only complaint I have with this movie is that
villain reveal is just like the first one. However, I still find myself loving
this movie a lot and I’m glad I saw it. If you haven’t seen this film yet, go
to the theaters and see it. I’m glad I finally got a chance to see this in the
theaters yesterday, as it was one of the movies that I wanted to see. You will
love this movie as it still is funny and does have a good message for kids to
learn about. Shakira is back singing and does have a little bit of dialogue.
Actually, the cast in this movie is phenomenal. Wait until the end credits to
know and stay for a post-credits scene. I wasn’t surprised that they came out
with a sequel and I wouldn’t be surprised if they come out with a third movie
because I can see this franchise going somewhere, if they continue to teach kids
about not judging people and the cons of prejudice, which is what they need to
know. I think the first movie is a little better, but this is one of the better
sequels Disney has come out with. Don’t miss your chance to go to the theaters
to see this film.
With that, we have come to the end of “Disney Month
2025.” I hope everyone enjoyed this month, and hopefully I made some good
recommendations for everyone, as this is the year that I did the least amount
of reviews. Who knows if next year will be the same or not? We’ll just have to
wait and see. Have a great end to this depressing year and let’s ring in the new
year with the hope that it will be better for everyone. I’m going to take a
couple of days off before I start the new year back with my usual Friday
reviews. See all of you in the new year.

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