Wednesday, December 22, 2021

Spider-Man: No Way Home

Tonight, I went and saw “Spider-Man: No Way Home,” which came out four days ago, and I will let you know what I thought about it.

Mike Ryan started his review by admitting, “Admittedly, I was a bit worried about the multiverse being a new central theme of the Marvel Cinematic Universe. (And, for that matter, the DC movies.) It just seems like a lot, especially at a time when the MCU is also doubling down on the cosmic side of things, too. It just seems so far removed from where it all started with “rich guy builds a suit of armor.” Now, look, with Spider-Man: No Way Home, I’m not saying my trepidation was unwarranted, but if there was a character to do it with, it’s Spider-Man. And not just because he’s Marvel’s most popular character and easily accessible and lighthearted, but it kind of, strangely, resets our timeline.” With villains appearing in this film that go back as far as Sam Raimi’s first “Spider-Man” movie, it’s now that “Spider-Man,” from 2002, that begins the MCU. (Also, it’s somewhat fitting that Raimi himself will direct the next MCU film, “Doctor Strange and the Multiverse of Madness.”)

Jon Watts’s “Spider-Man: No Way Home” starts exactly where “Far From Home” ended. Peter (Tom Holland) has just had his identity told to everyone and is web-slinging through the streets with MJ (Zendaya) trying to escape the mobs of people who want to beat up Peter for killing Mysterio in the last film. (Which he didn’t do, but people don’t realize this.) After MJ and Ned (Jacob Batalon) get rejected from MIT because of being friends with “the vigilante Spider-Man,” Peter goes to Stephen Strange’s (Benedict Cumberbatch) house looking for help. Doctor Strange can’t grant Peter’s request to go back in time to repair everything, but Strange says he can cast a spell that would make people forget that Peter is Spider-Man, the only problem is it’s an all or nothing deal and Peter would still like a few people to know. This causes the spell to go haywire and instead of people forgetting Peter, everyone who knows Peter is Spider-Man arrives. As you may have seen from the trailer, it includes past villains like Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina), Electro (Jaime Foxx), The Lizard (Rhys Ifans), and The Sandman (Thomas Haden Church) – all played by their respective actors from the five previous non-MCU Spider-Man movies. (Ryan said, “Which, now, technically, as I said earlier, they all kind of are.”)

Now Peter has to deal with all these villains who all hate Peter Parker, but also don’t recognize Peter Parker and, mostly, just are really confused why any of this is happening. Strange has a very easy way of sending them all back, but once Peter realizes that most of them meet a tragic fate back in their own universes, he has, with some help from May, reprised by Marisa Tomei, a crisis of realization and promises to help them – even though Strange does not think this is a good idea and most of the villains definitely don’t want Peter’s help and still pretty much just want to kill him.

Some people might think this movie should be somewhat of a mess. There are so many villains, played by great actors, who need attention here (Remember, even the Avengers movies all somewhat focus on one villain) that it’s very interesting this movie feels so in control of itself. Ryan said, “Now, it’s controlled chaos, but it’s still in control. And, yes, I will concede that the only reason all this controlled chaos succeeds is because of the multiverse. Or, at least, a byproduct of the multiverse in having all these (some beloved, some not as much) characters back from previous movies and, most importantly, played by actors who originally played them.” (Also, the “not as beloved” characters have been given some nice updates and often joke at their origins. Jamie Foxx is really having some fun this time around. There are so many references to “electric eels.”)

This is now the eighth solo live-action Spider-Man movie since 2002. In this movie, at least one character appears from every single one of the previous films. In a world swamped with superhero movies, it’s difficult for any of them to feel special anymore. Remember that first time we saw all the Avengers on screen together for the first time in the first movie? That felt like a great build-up. Bring back some of these characters we haven’t seen in 19 years made “Spider-Man: No Way Home” feel special, in the sense of “I can’t believe they pulled this off.” Ryan said, “Yeah, sure, some of that’s nostalgia. I’ll admit it! And sure, yes, some of it is fan service. Whatever! It’s the giving season, so, sure, give us some fan service. But the story is still there (though the second act does start to feel a bit long) and I felt some actual emotion, even with all this chaos swirling around.” In the end, “Spider-Man: No Way Home” somehow finds a way to keep everything together.

I think everyone is thinking this is a live action version of “Into the Spiderverse.” You’re not wrong in thinking that. However, if you think this one would be bad in trying to be just like the animated movie, you’re wrong. This, along with the “Spiderverse” movie, is my favorite of the Spider-Man movies, and another one of my favorite superhero movies. Go to the theater to see this because it’s well worth seeing. I actually saw this in IMAX, which was a real experience. This is not the last Spider-Man movie, as the MCU confirmed they are doing another trilogy. However, this film is still a great one to see around the holidays.

Spoiler alert: in the mid-credits scene, Eddie Brock, reprised by Tom Hardy, is speaking with a bartender regarding the blip, Thanos, and the Avengers, before he gets transported back to his realm. Stay for the post-credits because there is a trailer for the upcoming "Doctor Strange in the Multiverse of Madness."

Thank you for joining in on my review tonight, see what I will review tomorrow in ‘Disney Month 2021.”

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