Amongst the “Rush Hour”
trilogy and “The Spy Next Door” of his more recent career, it’s easy to forget
that Jackie Chan was once the rightful descendant to cinema’s greatest martial
artist, Bruce Lee.” Christopher Machell said in his review, “Eureka’s new
release of the 1978 Drunken Master, one of Chan’s earliest and best pictures,
is a sure-fire reminder of his status as cinema’s prince of kung fu. Where
Lee’s classic films were semi-serious affairs, typically combining crime,
intrigue and philosophy, Chan’s modus operandi has always been comedy, with
Drunken Master more slapstick than fist of fury.”
Chan plays the
biographical 19th Century martial artist Wong Fei-Hung, who in the
film is a prankster to his kung fu master and showing off to his friends. Machell
said, “On paper, there’s little to like about the feckless Fei-Hung, but Chan
invests a typically guileless charm to the role, making his Fei-Hung almost
sympathetic as he ducks out of huge restaurant bills, cuts corners in his
training and generally acts the clown.” After humiliating the son of a rich noble,
Fei-Hung’s father sends him to train with the infamous kung fu master Beggar
So, played by Siu Tin Yuen, whose rough reputation slightly leads his heavy
drinking. Machell mentioned, “After a fracas in a restaurant, the drunken
beggar reveals himself, Yoda-style, as the Master So, who promises to train
Fei-Hung for a year.” Meanwhile, the scary contract killer Yim Tit-sam, played
by Jang Lee Hwang, is hired by an enemy of Fei-Hung’s father to get rid of him.
However, given Fei-Hung’s prankster ability – and a humiliating early fight
with Tit-sam – it’s unlikely whether he’ll ever be able to become a true kung
fu master. Machell said, “Despite the high-stakes, Drunken Master is in no
hurry to get to its destination, the plot languorously winding through a series
of loosely connected vignettes. At nearly two hours, the film’s charm wears
thin in parts, and Chan’s gurning is only funny for so long.”
Machell continued, “But
the film’s longueurs are easily forgivable when set next to such captivating
martial arts choreography.” “Drunken Master” was directed by Yuen Woo-Ping –
who would later choreograph “The Matrix’s” fight scenes – so it’s undeniable
that the action here is good, but the unmatched dance movement of Chan and his
co-stars is just mind-blowing. Even Beggar So jokes that Fei-Hung’s kung fu is
more like dancing than fighting, but when the steps are this beautiful, who’s
to complain? The final kung fu fight is as complex and long as you would think.
Machell complimented, “As
Fei-Hung fights Yim Tit-sam with the styles of the eight drunken gods, it’s a
comedy-action bit that is easily as thrilling and stylish as if it were played
straight. It’s true that some of the film’s comedy is a little broad, and the
film’s laconic plot is baggy compared to the pacey intrigue of your typical
Bruce Lee flick, but there’s no denying Chan’s charm as a performer, nor the
beauty of the astonishing skill captured by Woo-Ping’s camera.” Funny,
exciting, and little lengthy, “Drunken Master” is as likable as it is disturbed,
but its martial arts choreography is still one of the best.
If you haven’t seen
this film and you’re a Jackie Chan fan, then you should see it. If you got into
Jackie Chan during the 90s and early 2000s, like I did, then you should
definitely see his older movies, starting with this one. That way, you can see
how he was like. This is one of the greatest films ever made and you need to
see it.
Much later on, they
made a sequel to this movie. If you want to know how that one is, stay tuned
next week to find out in “Jackie Chan Month.”
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