For many people, the
main question going into “Toy Story 4” was, understandably, “Why?” In every
respect, there was no reason for Pixar to make another sequel to the great “Toy
Story 3,” which nine years ago ended the franchise on a great note. How many
movie trilogies can you think of where the third movie was the best? (Peter Rainer said in his review, “Except for “The Lord of the Rings: The Return of
the King,” I can’t think of any.” I can, though.) Making a fourth anywhere as well
would look like it would be impossible.
Rainer said, “Unlike
“Toy Story 3,” “Toy Story 4” is not a masterpiece, but I was almost relieved
about that.” It doesn’t put you through the emotional heap the way the last one
did, but it’s continuously creative, funny, amusing, and heartfelt. To put it
simple, it’s a lot better than it has any right to be. It’s more than good
enough to make it worth making.
The new film starts
with college student Andy’s toys now under the ownership of little Bonnie,
voiced by Madeleine McGraw. Woody, reprised by Tom Hanks, overlooks the collection,
but he’s no longer a favorite toy.
He still finds it
necessary to take care of Bonnie. When she fearfully leaves for her kindergarten
orientation, he hides inside her backpack and secretly helps with a project
where she creates a toy out of a plastic spork, pipe cleaners, wooden craft
sticks, and huge eyes. Her beloved Forky, voiced by Tony Hale, becomes her new
favorite toy, despite that, created together from trash can items, Forky has other
plans. The concept of a “toy” is foreign to him. He keeps running into trash
cans because that’s where he thinks he belongs.
Woody happily announces
to his friends that Bonnie has literally “made a new friend.” However, then
Forky goes missing during a road trip in an RV to an outdoor carnival, ending
up locked in a China Cabinet in a local antique store. Woody goes to rescue
him, with help from friends, like Buzz Lightyear (Tim Allen), Ducky and Bunny
(Keegan-Michael Key and Jordan Peele, respectively), Canadian stunt
motorcyclist Duke Caboom (a hilarious Keanu Reeves), and Bo Peep (Annie Potts),
who comes back to the gang after happily enjoying her independence. (Her sad
separation from Woody is shown at the beginning of the film.)
Their main enemies are
Gabby Gabby, voiced by the hot Christina Hendricks (who you might remember as
Joan Holloway on “Mad Men”), the antique store’s Ginger doll, and her
ventriloquist dummy henchmen. Gabby wants Woody’s voice box. Rainer is right
when he said, “Her scenes have an eeriness that at times seems more “Twilight
Zone” than Disney, but that’s appropriate.” Whether we are humans or ornaments,
toys are not always our friends.
What gave “Toy Story 3”
its deep emotionally was the sad realization that even favorite toys are
eventually donated. More so than ever, Woody has to come to that realization in
“Toy Story 4.” If a toy is there to be loved by a child, what then is its
reason for living if it is no longer loved?
Director Josh Cooley
and his writers, Andrew Stanton and Stephany Folsom, don’t sugarcoat the
emotions, which is just as well. Rainer said, “I’m not a big fan of being hit
over the head with life lessons when I go to the movies. Instead, the
filmmakers have concocted a comic wingding, full of marvelous slapstick and
sight gags, into which the more heartfelt moments are subtly woven.” All of
this makes this film, which also was the fact for the other “Toy Story” movies,
but especially “Toy Story 3,” as watchable for adults as for children.
It should not be
debated that wonderful children’s movies, almost by meaning, are also wonderful
for adults. Rainer said, “Who would relegate, say, “E.T.” or “The Black
Stallion” or Alfonso Cuarón’s “A Little Princess” to the realm of kid flicks?”
The main question of “Toy Story 4” has a meaning for everybody: What happens to
us when we no longer feel needed? Rainer answered, “If the “Toy Story”
franchise were to end right here I would be more than happy, but then again, I
felt this way nine years ago with “Toy Story 3.”” Never say never.
In all honesty, I think
this film is the best of the “Toy Story” franchise. I really thought this was
the most emotional and most funny of the films. If you haven’t seen this film
and you love the other “Toy Story” movies, you should definitely see this one.
If not, watch the first three first or any of the other you haven’t seen before
you see this film. You will love this, I promise. If you have kids, show them
this franchise because everyone will love it. Especially with comedy legends
Carol Burnett, Mel Brooks, Carl Reiner and Betty White in the cast, there’s
more reason to see this. This is easily another one of my favorite animated and Pixar movies. However, I have to say to Pixar to stop making “Toy
Story” sequels. I don’t think there is anymore that needs to be told about this
franchise. Just go on and create original movies or sequels to films that need
sequels. Just leave the “Toy Story” franchise alone because this is the
definitive cap on the franchise. Tom Hanks said to Ellen DeGeneres that this would be the last film, Mark Nielsen did not rule out a possibility of a
fifth film.
At the end of the
credits, the film paid tribute to the late Don Rickles (which I applauded when
his name came up) and animator Adam Burke.
Thank you for joining
in on tonight’s review, stay tuned on Friday for the continuation of “Jack Ryan
Month.”
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