The movie taught everyone it was okay to love a
vehicle. You might even say its thick Volkswagen hero, Herbie – who made
beeping noises, defied the laws of physics, and had a superior intelligence – predated
R2-D2.
The good news about “Herbie: Fully Loaded,” Disney’s
2005 attempt to revive the declining series, is that it returns to the source. William Arnold said in his review, “It doesn't try to rethink the concept for a less
naive generation or goose it up with special effects and New Millennium movie
crudity.”
Like the company’s successful 1998 remake of “The
Parent Trap” – another remade ‘60s comedy, also starring Lindsay Lohan – the filmmakers
have carefully looked at the original and tried hard to recapture what made it
work: Arnold said, “in this case, a certain wide-eyed innocence.”
The story stays close to the spirit of the original
script, only this time the cute 1963 Beetle comes out of nowhere to befriend a
recent college graduate (Lohan) from a famous stock-car racing family.
Arnold said, “And the big race that the movie heads
toward is a duel with a Snidley Whiplash of a NASCAR champion (Matt Dillon), a
race that will emotionally reunite the heroine with her father (Michael Keaton)
and force her to accept her destiny as a racing champion.”
To its credit, this is a kid’s movie. It takes place
in a place where no one seems to find the entry of a vintage Volkswagen Beetle
at the California Speedway unusual, or even notice that the vehicle has
expressive facial features and a will of its own.
Arnold said, “But, within this context, the film
basically works: It draws us into its somewhat sappy story and makes us feel
sympathy for its anthropomorphic hero. When Herbie faces annihilation in a
demolition-derby right out of "Gladiator," the heart tugs.”
There are some showy effects (a look inside Herbie’s
engine) and some innuendo (Herbie’s antenna shows it getting infatuated when
seeing a female Volkswagen), but the film mostly tries to recreate the organized,
harmless naturalness of the old Disney comedies.
Arnold criticized, “The human element here is fairly
weak. Even though she's considered a hot young star, Lohan really doesn't have
the kind of charisma that can carry a picture, and the supporting players --
Breckin Meyer, Justin Long and Cheryl Hines -- are as flat as Kansas.”
The exception is Matt Dillon, who does everything to
be arrogant and despicable. Arnold ended his review by saying, “Indeed,
building on his scary performance earlier this year in "Crash," he's
shaping up to be quite the movie villain: definitely someone you love to hate.”
I will be honest; I didn’t mind this all that much. I noticed
that this one wasn’t well received, but I thought it was nice. I would say
check it out and judge for yourself if you like it or not. I won’t be seeing
the franchise after one viewing, but let’s see what everyone else decides.
Now that we’re done with this franchise, tomorrow I
will be looking at a film that I heard a lot about but never bothered to watch
until earlier this year in “Disney Month 2023.”
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