Alright
everyone, now we really get to a good Disney movie for today. Why do you ask?
Because I am now going to look at “Robin Hood,” released in 1973, which, if I
remember correctly, is my brother’s favorite Disney movie. As a Disney movie
that came after “Sleeping Beauty,” it’s a great entry, possibly better than “The
Sword in the Stone” or “The Fox and the Hound,” but may not be as good as “The
Jungle Book” or the next film I will look at after this one. Steven D.Greydanus stated in his review, “On the down side, it suffers from uninspired
animation and a one-dimensional title character (fine Brian Bedford); on the up
side, it benefits from strong supporting vocal talent (Phil Harris as a
Baloo-like Little John, Peter Ustinov as Prince John, inimitable Andy Devine as
Friar Tuck, Pat Buttram as the Sheriff of Nottingham), a catchy country-themed
soundtrack courtesy of Roger Miller as Alan-a-Dale, and a fine swashbuckling
plot.”
Besides
that, the pride of having the story with animals puts a certain charm, and
helps look over twists like not having Merry Men and the diverse accents
(British Bedford, Southerners Devine and Buttram, etc).
When
looking at the cartoon adapting the source material, the famous archery
contest/trap part is famously retold, while a throwaway joke referring to Robin
and Little John’s meeting on top of a river-spanning log does have a moment of
silly humor. The “rob from the rich” half of Robin’s ethic is never shown
connecting with anyone other than Prince John, whose reign the cartoon is at
doesn’t really make clear is strange, like the lyric in the one song “Prince
John, that phony king of England,” and there’s a throwaway line telling how
John tricked Richard (also voiced by Ustinov) into leaving England “on those
crazy crusades.” The taxation policy is clearly seen as unfair. The “give to
the poor” part is also emphasized, along with the sufferings of the overtaxed population,
holding the legend’s moral orientation.
Greydanus
said that, “Worth noting is jovial, pugnacious Friar Tuck’s status as one of
the few positive representatives of Christianity in a Disney animated feature.”
As a religious person, he’s allowed to suggest to the gospels (“Your last
farthing? Aw, little sister, no one can give more than that!”) and say things
like “Thank God! My prayers have been answered!” like he really means it. When
Prince John plans to hang Friar Tuck in order to lure Robin Hood while he’s
hiding, even Sir Hiss, voiced by Terry-Thomas, is stunned. “Hang Friar Tuck? A
man of the Church?”
See
the movie because you will love it.
Next
up for today will be “The Many Adventures of Winnie the Pooh,” released in
1977. This movie is based off of the famous A. A. Milne tales, which are told
so long ago to Pooh bear himself under the close attention of Christopher
Robin.
In
retelling these stories, the Disney animation studios would inevitably to that.
Greydanus mentioned that, “Disneyfied Milne’s creations, as it did everything
it touched, from the dwarfs in Snow White to the satyr in Hercules.”
However
Pooh and his friends, though visually made from Ernest H. Shepard’s classic
illustrations, somehow come to life from the Disneyfication process more
unmistakably themselves than any storybook characters in any other Disney film,
while Milne’s distinctive voices still has the quality in with a clarity and
integrity surpassing that of any other author Disney adapted, from Collodi
(Pinocchio) to Barrie (Peter Pan) to Hugo (The Hunchback of Notre Dame). The
only author to get anything like this similar treatment was Lewis Carroll in “Alice
in Wonderland.”
The
end result isn’t perfect but it’s up there as the most charming and delightful
films for even infants. Greydanus even admits, “Actually an anthology of three
featurettes based on Milne’s writings, The Many Adventures of Winnie the Pooh
includes the well-known tales of the Honey Tree and the Blustery Day, among others.”
The voice work is great as well, from Sterling Holloway’s warm, fuzzy rhythms
as Pooh (he also voiced Cheshire Cat and Kaa from “Jungle Book”) and John
Fiedler’s fearful little tones as Piglet to the rich narration of Sebastian
Cabot (who voiced Bagheera in “Jungle Book”). This is a timeless film for the
entire family to watch.
Hope
you all enjoyed today’s entry, stay tuned for more “Disney Month” coming right
at you.
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