You probably all know the basic storyline of this film. A
series of attacks happen on a beach by a great white shark. Out of fear that
the tourism attraction will deteriorate, three men venture out into the sea to
find this shark. There are supposed to be a number of meanings in this classic
story, but Spielberg being the genius that he is, doesn’t underline any of
them. This film stays within its own boundaries, and none of the characters
have to give speeches on the meaning of it. Spielberg does present these
characters that make them into individuals.
Before the three men hop onto their boat and venture out to
kill the shark, we get to know them in a way that we know how they’ll respond.
First, we have Brody, played by the great Roy Scheider, who is the police chief
of the island, and came from New York for a change. Next is Quint, played by another
great actor, Robert Shaw. He is a sailor who has a very personal grudge against
sharks. Finally there is the ever loving Hooper, played by one of the most
well-known actors, Richard Dreyfuss. Now Hooper is a rich kid turned
oceanographer. He is their best resource to ask what a shark can do to man, and
he is a daredevil to go into the sea with one.
All three of these characters are just memorable. Scheider
is the one that you identify with the most. He has hydrophobia, which shows
because he doesn’t like to swim. The first time he sees a shark go past the
boat, it’s believable when he says to Quint the famous line from the movie, “We
need a bigger boat.” Roger Ebert had this to say about Shaw: “Shaw brings a
degree of cheerful exaggeration to his role as Quint, stomping around like a
cross between Captain Queeg and Captain Hook, and then delivering a compelling
five-minute monologue about the time the Indianapolis went down and he was one
of more than a thousand men in the water.” When the rescue had come, two-thirds
of the men were already killed by sharks, hence the reason for his vendetta against
sharks.
The most memorable of the three has to be Dreyfuss as Hooper
the oceanographer. Dreyfuss calls himself an idiot for turning the role down
twice, but he got into this role soon after being the titular character in “The
Apprenticeship of Duddy Kravitz,” and the college boy from the ever classic, “American
Graffiti.” In “Jaws,” he looks just right for the role. Young, engaging, and
scholarly, and even mentions what he knows about sharks that channels our fear
of them.
Finally, we have the shark. Some of the footage in the film
is an actual shark. The rest is of a mechanical shark patterned on the real
shark, which completes the illusion. We see the shark close up, we look him
dead in the eye, and it feels like we are looking at an actual shark. “Jaws”
still holds up well today, and it will still scare you if you watch it. Unlike
a lot of horror films that overuses the violence; here Spielberg uses the
necessary amount of blood and guts. The story is also brilliantly told
throughout. I give this film a solid 10.
What is next for this shark killer? Will they make the smart
choice and leave the film where it should be, or make it into a horrible
franchise? Wait until tomorrow in my “Jaws-a-thon.”
Great review. Awesome character analasyse. This film is a classic.
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