Return of the Seven

The first sequel to the 1960 western, “Return of the Seven,” released in 1966, only has one cast member of the original film, Yul Brynner as Chris Adams.

Emanuel Levy said in his review, “It was dismissed by most critics as unsatisfactory, repetitive, and cliché-ridden, compared to the first picture.”

Robert Fuller replaces Steve McQueen of Vin and Julian Mateos replaces Horst Buchholz as Chico.

Levy noted, “The film was written by Larry Cohen and directed by a second-tier helmer, Burt Kennedy, who made some Western with John Wayne (all mediocre).”

The cast includes Warren Oates, Claude Akins, Jordan Christopher, Virgilio Teixeira. Emilio Fernández is the villain, and famous Spanish actor Fernando Rey plays a priest.

Fernando Rey was also in the next film, “Guns of the Magnificent Seven,” but playing a different character.

Gunmen force the men in a small Mexican village to go with them to the desert. Among the kidnapped farmers is Chico, played by Julián Mateos, who was one of the seven hired gunslingers responsible for eliminated the village of the oppressive bandit, Calvera.

Chico’s wife, Petra, played by Elisa Montés, goes to find the other members of the group – only two, Chris and Vin, survived – begged them to save the village again. To replace the group’s murdered members, Chris buys the release of Frank (Akins) and Luis (Teixeira, a famous bandit) from jail, and recruits Colbee (Oates), a ladies’ man, and the young Manuel (Christopher).

The missing villagers are used as slave labor to rebuild a desert village and church as a memorial to the dead sons of wealthy rancher Lorca, played by Fernández. In a surprise attack, they force Lorca’s men to leave, and prepare for a counterattack. The farmers do not assist, but the defenders successfully reject Lorca’s main attack. The rancher then gathers his men to retreat the seven men.

Manuel finds a supply of dynamite which the seven use in a counterattack. While they are flooded, Chris is victorious from a shootout with Lorca. The rancher’s team run, leaving Frank, Luis, and Manuel dead. Chico plans to build back the village on Lorca’s land, and Colbee stays to help teach the villagers how to defend themselves. In the end, Chris and Vin ride off together.

Composer Elmer Bernstein received Oscar nomination for his score.

Levy noted, “The film earned $1.6 million in rentals during its initial release, and then re-released in 1969, earning rentals of $1.3 million.”

This is an underwhelming film, since you could say it repeats what the first one did. If you want to watch this, you can see this on Pluto TV. Check it out, but you won’t remember this one. This is easily forgettable.

Next week, we will be looking at the next film in the franchise in “The Magnificent Seven Month.”

The Magnificent Seven (1960)

Happy New Year to my online readers. Another year has started and this will be my 13^th year of blogging on movies. Hard to believe that I have been blogging for this long, but I’m still going strong, so let’s get another exciting year started. We will start this year by reviewing “The Magnificent Seven” franchise. Let’s start with the 1960 Western classic, “The Magnificent Seven.”

It is basically impossible to top Akira Kurosawa’s classic Japanese epic “Seven Samurai.” Mike Massie said in his review, “But the thundering, rousing music by Elmer Bernstein is a stupendous start for this Americanized, Western take on one of the greatest of filmic imports. In shifting locations, time periods, and languages – along with several plot elements – this rugged, action-packed adaptation (by William Roberts) is, on its own, a staggering success.” Despite not straying from Kurosawa’s basic story, “The Magnificent Seven” certainly has its own type.

Calvera (Eli Wallach, playing as cruel and crafty a character as ever before), a bandit leader not afraid to rob from the poor, rides into a small town to once again steal supplies from Sotero’s (Rico Alaniz) community of farmers, who are barely able to feed their families. If anyone dares to stand up to Calvera, they get immediately shot. This method causes many of the townspeople to think about leaving the town, or hiding food, or begging for mercy. Staying is thinking of a slow death.

With the advice of the wise elder, three of the men travel to the border town to buy guns to defend themselves. “We don’t know how to kill,” they insist. “Then learn…or die,” responds the elder. In town, they’re quickly treated to a large, foreign display: Dodge man Chris Larabee Adams (Yul Brynner, dressed in all black, but still hands down a champion of purity) and Tombstone traveler Vin Tanner (Steve McQueen) volunteer to drive a hearse up to Boot Hill to bury Old Sam the Indian, a corpse not fit to be buried amongst the dead people of the prejudiced, predominantly white citizens who run the area. However, after a few, well-laced gunshots by the two clearly comfortable with guns, the procession is allowed to finish their task.

This exciting, significant act perfectly describes the heroes – men who don’t think twice about doing the right thing, even if it puts their lives in danger. The audience never finds out anything more about their past or origins or even the reasons for their chance meeting, but it doesn’t matter. Massie described, “They may be Western character stereotypes, but these roles couldn’t be better suited for a cinematic clash of good against evil. No time or subplots are wasted on painting portraits beyond what is minimally necessary (though once the battling starts, there are opportunities for bravery, fear, regret, conviction, and other details on psychological stability). Each character is distinct – and unshakably righteous – but shrouded in mystery.”

Massie continued, “Adding to the leading duo are other typical players, but they too are the types of gunslinging ruffians that need little more than a bold entrance.” Harry, played by Brad Dexter, thinks there are hidden money to be won. O’Reilly, played by Charles Bronson, is an expensive hired gun, bot doesn’t have any predictions at the moment. Britt, played by James Coburn, is the silent one, but faster with his knife than an opponent is with a gun. Lee, played by Robert Vaughn, is a solid shot and a man on the run. Finally, Chico, played by Horst Buchholz, is a reckless, overconfident, rash young man – the type that isn’t worth enlisting, but comes in handy when he refuses to be excluded from the gathering of seven rather magnificent men. Massie said, “There’s more than enough nobleness, skill, and daredevilry to go around.”

Massie continued, “Whether a test of pride, desperation, competitiveness, risk, camaraderie, or even just the amusement of the stupefying odds (40 against 7), the motives and actions of this gathering of warriors is a nonstop source of entertainment. It’s difficult not to root for these underdogs (particularly as they confront a murderous bully), even though their proficiency with deadly weapons places them at a decided advantage – not unlike the ragtag assemblage of antiheroes that would eventually populate “The Dirty Dozen” and “The Wild Bunch” (and, to a lesser degree, “The Great Escape,” which would reunite three of the main cast members).” Preparations, booby traps, and the element of surprise all put together for a slow build to an exciting climax, where death and destruction are certain to occur to the determined fighters – along with a bit of romance, a little humor, plenty of suspense, and Bernstein’s theme music at all the right moments. Brilliantly, the film isn’t as easy as a group of professional gunners going up against criminals for a just cause. There are twists, escalations, and situation reversals that make them all accept their identities and egos. Massie ended his review by saying, “When things get really tough, these seven men can’t be bothered with the sensibilities of self-preservation – it’s about standing their ground and challenging wickedness, solely because that’s what the good guys do.”

I know this film probably copies “Seven Samurai” verbatim, but it’s still a Western classic that everyone should see. I enjoyed it a lot when I saw it years ago while exercising. Currently, this is streaming on Tubi, so check it out and enjoy yourselves.

I was surprised to find out that this film had a few sequels. We will be looking at the first one next week in “The Magnificent Seven Month.” In the meantime, I will be taking some time off until next week so I can recuperate from reviewing films every day last month.

Zootopia 2

“Zootopia 2,” released last month, is every bit as fast and funny and socially agreed as the last film, which came out – if you can believe it – almost a decade ago. Given that amount of time, one couldn’t be blamed for noticing how both films happen to agree with certain Trumpian moments in history: The first film was released when Trump was the leading Republican candidate in the 2016 Presidential election, and now the sequel has been released near the end of his rowdy first year back in office. James Kendrick said in his review, “As I wrote nine years ago, Zootopia (2016) eerily presaged Trump’s penchant for eschewing facts and nuance in favor of fear-mongering and broad generalizations designed to strike fear in his political base. Nothing has changed, of course, and in fact those tendencies have been super-charged by his return to power and have found even more voice in scapegoating enemies that are more figments of his fevered imagination than actual threats—which is precisely what Zootopia 2 is about.”

The story location in the titular metropolis, which, as you may remember (and, if you don’t, the film gives a helpful recap at the beginning), is a fantasy city where every manner of mammals live together in complete peace. The city is divided into four districts that give ideal environmental conditions for the different types of animals that live there. The districts are separated by giant walls that keep the fighting environments (e.g., Tundratown and the Rainforest District) separate.

We start right were the first movie ended, with Judy Hopps (Ginnifer Goodwin), the determined, bright-eyed bunny who became the first rabbit police officer, and Nick Wilde (Jason Bateman), a sly con-artist of a fox, working together as a team. Having hugely (but not completely) overcome their differences, they still feel the need to prove themselves in a police force that is not used to rabbits and foxes being counted among their ranks (police officers normally are larger animals like zebras, hippos, and, of course, returning water-buffalo Chief Bogo, voiced by Idris Elba). Kendrick is right when he said, “If the first film was about breaking through stereotypes and the importance of digging beneath assumptions, Zooptopia 2 doubles down on that message by expanding beyond the inherent tensions within the city itself and bringing in a group of animals that has been expelled entirely: reptiles.”

We find out that there are no reptiles in Zootopia because they were forcibly expelled a century ago due to a snake being accused of murder. Kendrick said, “Those accusations happen to come from the wealthy Lynxley family, a dynasty whose paterfamilias was responsible for designing the walls that made Zootopia possible. So, we have a monied, powerful, politically connected family with a vested interest in maintaining its power by pushing a (possible false) narrative that demonizes another group and requires their expulsion.” Sound familiar?

Kendrick admitted, “I won’t dig too deep into the narrative details because part of the film’s pleasure is the way the mystery unfolds; it plays like a good ol’ fashioned police procedural crossed with Hitchcock’s wrongly accused man hijinks, wrapped up in computer-animated mania.” Safe to say that Judy and Nick come upon a deep conspiracy that involves, in one way or another, a trafficked snake named Gary, voiced by Ke Huy Quan. The awkward, black-sheep youngest member of the Lynxley dynasty (Andy Samberg), which is in charge by his gruff father (David Strathairn). The horse movie-star-turned-Zootopia mayor, voiced by Patrick Warburton. Finally, a conspiracy-theory-confused podcaster-beaver named Nibbles Maplestick, voiced by Fortune Feimster.

Kendrick pointed out, “There are a lot of twists and turns and hyper-funny action sequences, but the movie is constantly moored by the heart-and-soul ethos embodied by Judy and Nick’s odd-couple chemistry, which works (as they eventually learn) precisely because they are different. The film embraces diversity not as a bumper-sticker slogan, but as an ethos that creates a better world through understanding and acceptance. If that sounds too mushy, don’t worry—the film isn’t above sending up touchy-feeliness, which we see in the emotional breakthrough moment when Judy, the insecure overachiever, and Nick, the insecure swindler, admit to each other all of their personal and psychological shortcomings, which is both immensely touching and absolutely hilarious (“It’s true! I do need a herd of therapy animals!”).”

Kendrick continued, “Such moments suggest that returning screenwriter Jared Bush, who again co-directed with Byron Howard (they previous collaborated on Encanto), sees his characters as more than plug-n-play figures, and it helps that Ginnifer Goodwin and Jason Bateman give Judy and Nick such life. Granted, the film’s emotional contours tend to be drowned out by some of the visual excess, including an unexpectedly spot-on homage to the climax of The Shining (1980), and some of the characters feel like they’re trying too hard to be memorable (I’m looking at you, Nibbles).” However, on the whole, “Zootopia 2” admirably balances visual desire and genuine emotion.

The only complaint I have with this movie is that villain reveal is just like the first one. However, I still find myself loving this movie a lot and I’m glad I saw it. If you haven’t seen this film yet, go to the theaters and see it. I’m glad I finally got a chance to see this in the theaters yesterday, as it was one of the movies that I wanted to see. You will love this movie as it still is funny and does have a good message for kids to learn about. Shakira is back singing and does have a little bit of dialogue. Actually, the cast in this movie is phenomenal. Wait until the end credits to know and stay for a post-credits scene. I wasn’t surprised that they came out with a sequel and I wouldn’t be surprised if they come out with a third movie because I can see this franchise going somewhere, if they continue to teach kids about not judging people and the cons of prejudice, which is what they need to know. I think the first movie is a little better, but this is one of the better sequels Disney has come out with. Don’t miss your chance to go to the theaters to see this film.

With that, we have come to the end of “Disney Month 2025.” I hope everyone enjoyed this month, and hopefully I made some good recommendations for everyone, as this is the year that I did the least amount of reviews. Who knows if next year will be the same or not? We’ll just have to wait and see. Have a great end to this depressing year and let’s ring in the new year with the hope that it will be better for everyone. I’m going to take a couple of days off before I start the new year back with my usual Friday reviews. See all of you in the new year.

Tron: Ares

“Tron: Ares,” released in October, is a visually amazing and immersive experience that smartly combines light and sound. While some hardcore fans may be disappointed that the film doesn’t expand on the Tron story, the visual spectacle keeps you engaged throughout. Lupe R Haas said in his review, “The film does play up fan service, but perhaps not as much as some would prefer.”

Ares is sent from The Grid to the real world on a mission, but the computer program goes scoundrel.

Unlike the previous films, the plot is straightforward. Ares evolves into a feeling person who wants to live and discover the secret to a long life. Haas described, “The Pinocchio concept is easy to grasp, and the story sticks to the premise.”

Director Joachim Ronning keeps the story simple, but visually complex. The visual design is spectacular and beautiful on a big screen.

Haas credited, “TRON: ARES takes a refreshing approach to nostalgia, offering audiences a new take on this familiar world. Jeff Bridges’ role is limited to a cameo midway through the film, but the cool light show and booming soundtrack keep your senses busy, allowing you to forget about Bridges’ absence.”

The standout performance is Greta Lee as Eve Kim, a formidable character who cleverly outsmarts the villains.

Evan Peters continues the Dillinger legacy of competition as the evil genius.

Jodie Turner-Smith also delivers a good performance as Athena, a program with a master control program that is more engaging than Jared Leto’s Ares. Haas said, “Athena is stoic and follows orders as a program, while Leto acts more human than a generated being. While endearing as a character, the idea of the hero growing a conscious soon after its creation seems a bit far-fetched.”

Jeff Bridges’ scenes are short but is there as a way to return to the roots of the Tron realm. Legacy fans will enjoy seeing the original Grid.

The plot moves forward and rarely involves the story established in the first movie. It doesn’t dive deeply into the lore and serves more as a standalone movie that doesn’t require any prior knowledge of the franchise.

Haas said, “NIN’s soundtrack complements the thunderous sounds of the light show, but the theater’s sound systems were at times overbearing.”

Overall, “Tron: Ares” succeeds as a great sensory experience that reinvents the franchise’s visual for a new generation, even if it leaves longtime fans wanting more depth from its digital lore.

Former “The Daily Show” correspondent and comedian Hasan Minhaj is in here too. I’m not a hardcore fan of the “Tron” franchise, but this one I found myself thoroughly enjoying this film when I saw it in the theaters. I thought it was a great film to get into and I think people should see this one. I know people were not fond of the last film, but this one I think you will like. It may not be anyone’s favorite, but I think you will at least enjoy it. If you missed the chance to see this in the theaters, then see this on Disney+ or wherever it is streaming. Give it a watch and judge it based on your own opinion.

Tomorrow I will be ending “Disney Month 2025” with the latest film that came out last month. I will be seeing that later today, so expect a review on that tomorrow, as it is one of my most anticipated films to watch this year.

Marvel Zombies

The world of Marvel Animation’s “What If…?” takes a haunting turn with “Marvel Zombies,” released on Disney+ in September. Building on the look of zombies in the first season of “What If…?”, this new series goes into the depths of zombie story, giving a unique and interesting twist to the Marvel universe.

The series starts off with a team led by Ms. Marvel/Kamala Khan (Iman Vellani), Ironheart/Riri Williams (Dominique Thorne), and Hawkeye/Kate Bishop (Hailee Steinfeld). As they move through the curse, desperately looking for a solution, the three struggle to keep everything together and stay safe in the heat of the zombie apocalypse is intense, showing a strong sense of empathy from the audience. Britany Murphy said in her review, “With a lack of non-infected superheroes milling about, Kamala, Riri and Kate are doing the best they can.” However, that’s evidently easier said than done in a zombie apocalypse.

The stakes are high, but when a Quinjet crashes, the group’s hope for possible survivors and the right gear comes back. The discovery they make is a turning point, promising a possible solution to their difficulty, and leaving the audience hopeful for the group’s survival.

Directed by Byran Andrews with a story by Andrews and Zeb Wells, “Marvel Zombies” is a good show to the Marvel Animation collection. Murphy said, “The series has a lot going for it in terms of concept, but that doesn’t mean it’s all executed perfectly. Without getting into spoiler territory, Marvel Zombies hits a few missteps as the episodes progress, and it doesn’t remain as strong as the first episode throughout the rest.” However, it thankfully picks back up the more you watch the series.

Murphy admitted, “While there are some very cool character moments within the series, such as the fight between Blade and Ghost, I wanted the series to lean harder into the horror aspect, especially considering the series has a TV-MA rating. After watching the show, it’s clear that the rating stems from the zombie killing scenes peppered throughout, rather than anything particularly frightening. That said, the character moments and well-animated kills do not make up for the show’s underdeveloped story. Truly, Marvel Zombies only having four episodes is probably one of the most significant drawbacks the series has.”

Murphy continued, “At times, the episodes don’t allow for certain moments to breathe, while others are overtaken by comedic beats that felt unnecessary, particularly from episode two onward. Some of this stems from the series focusing on too many characters that seemed superfluous to the storyline. Iman Vellani’s Kamala Khan does much of the show’s heavy lifting, and Vellani does a fantastic job voicing Kamala (not that there was ever any doubt based on her live-action performances as the character).” It was also enjoyable seeing characters interact on-screen that we might not see together elsewhere, especially in the form they take on, such as Todd Williams’ Blade as Moon Knight. IT was also great seeing Tessa Thompson’s Valkyrie back in action.

Murphy said, “While Marvel Zombies does have some incredibly cool moments sprinkled throughout the series, it doesn’t make up for an undercooked story that likely would have benefited from a few more episodes or the same number of episodes with a longer runtime.” Even though it doesn’t reach the same level as past Marvel Animation shows like “X-Men ’97,” the series is worth watching for its fantastic animation (made by Stellar Creative Lab) and voice acting performances, especially released at the time Halloween was coming fast.

I enjoyed this series a lot. I think this show is made for those who are crazy over zombies and are thinking that a zombie apocalypse might happen, even though I don’t think it will. You should check this out if you have seen other MCU shows because I think everyone will like this. With the way it ended, I think they might make another season, but we’ll just have to wait and see.

Tomorrow, we will look at another surprising sequel in “Disney Month 2025.”

Freakier Friday

With nostalgia being continuously lucrative, it was probably predicted that we would see a Lindsay Lohan revival. Alex Wheeler said in his review, “Her roundabout link to the recent Mean Girls movie aside, Freakier Friday marks the first time Lohan has returned to one of the iconic roles of her youth, and fans of hers (including myself), are sure to cheer.”

Wheeler admitted, “It was rough watching her all-too-familiar trajectory from child star to forgotten celebrity, especially since her early work showed remarkable skill to back up the fame. Two of her biggest roles involved twisted layers of characterization, with The Parent Trap having her play twins impersonating each other and her original iteration of Freaky Friday (itself one of several adaptations of the novel of the same name) had her channeling Jamie Lee Curtis for a body-swap farce. But the cruel messiness of growing up while famous ate her alive, as it has so many people, resulting in nearly a decade without a major role to her name.”

Now she and her fans are older, smarter, and tired, and we just want to enjoy. A return to one of her most beloved movies might be the substance she needs for the right career revival, but first, she has to pull off the difficult task of recapturing very certain memories.

Obviously, Curtis returns with her because they are an inseparable pair in this story. Back in 2003, their characters switched bodies when Lohan’s Anna was a rowdy teen and Curtis’ Tess was a widower finding love once more. Wheeler said, “The basic morality play of putting yourself in someone else’s shoes was made memorable by how fully the two dived into the scenario, so to make this sequel work, they’d both have to show up with the same full-tilt energy.”

This time around Anna is the single mother of a teenage girl, with Tess being an overly helpful grandma. Anna is also the one to find love again, this time with the very English Eric, played by Manny Jacinto. This upsets her daughter, Harper, played by Julia Butters, putting her in the same place Anna was in the previous film. Joining Harper in disagreement to the union is Eric’s teenage daughter, Lily, played by Sophia Hammons, even though the pair are enemies in every other way. Obviously, a body swap solved this issue last time, so another mystic is found and Harper switches with Anna and Lily with Tess.

Wheeler said, “The returning swappers are just as delightful as before, with Curtis once again channeling a much younger energy with gusto. She takes it further than just being spry; the calamitous feeling of events without comparison runs across her face multiple times, and it’s that naivete that makes the whole thing feel real.” Lohan pulls off similar tricks, proving once again to be on the same level with the great actress. However, most importantly, they show complete joy at being back. Lighthearted nostalgia attraction is all about showing the passing of time for a couple hours, and as Lohan and Curtis drive around in a cool car, faces light and happy, it’s easy to fall into the fantasy of feeling young again.

Butters and Hammons are on point too, along with the entire supporting cast (some others from the original return too). However, this film is about those two women, and everything is made to support them. Wheeler said, “Director Nisha Ganatra keeps it simple around them, at times too simple, with the workmanlike vibe of the production threatening to zap the fun. Ideally, the film would feel as light on its feet as its stars, but simplicity is hard to pull off when you have this many callbacks and a new story to get to.”

Wheeler continued, “The one production element that feels right is costume designer Natalie O’Brien’s work, which vary from photoshoot glamour to slacker beachwear. Outside of the actors, the costumes are doing the most work to remind audiences that the bodies don’t match the people, with clever modifications of preexisting wardrobes showing off the new person within. But more importantly, they are fun, with popping colors for the women and perfectly tailored outfits for the eye candy men.”

It's not much, but it’s enough to help out the excellent performances being shown. Really, no one wants this to do a lot. It’s a body-swap comedy, common with slapstick, wide humor. Wheeler ended his review by saying, “It’s about feeling good, and while watching Curtis and Lohan milk the silly premise for all its worth once again, it’s hard not to have a good time.”

“Freakier Friday,” which came out this past August, was a surprising sequel that came out. However, for a sequel that no one asked for or expected, this was good. I saw this in the theaters and I laughed when watching it. There are some heartwarming moments in the film that really make you feel the emotion. I think everyone should check this out on Disney+ if they didn’t see it in theaters because I think everyone will enjoy this film.

Tomorrow, I will be looking at the final MCU animated miniseries of the year in “Disney Month 2025.”

Eyes of Wakanda

Aaron Halls started his review by saying, “Watching Marvel Studios Animation’s Eyes of Wakanda feels like receiving thoughtful, hand-crafted, post cards from a friend who has recently visited a location you admire.” Despite not the long visit to the land of Wakanda that the “Black Panther” films gave, this four-episode, half-hour mini-series gives a beautiful and amazing set of animated short stories. They are great snapshots that satisfy the wanting to revisit the familiar. The series, from showrunner Todd Harris, is an anthology that takes an unexpected approach to the story, which may surprise audiences but is nevertheless satisfying.

Instead of returning to familiar characters like T’Challa or Shuri, each episode of “Eyes of Wakanda,” released on Disney+ in August, follows members of the Hatut Zaraze, or the War Dogs, throughout the history of the Marvel Cinematic Universe (MCU). The War Dogs are secret and elite agents of Wakanda, with a mission of retrieving artifacts of their nation that have been displaced around the world and beyond its borders. The first episode takes place in 1260 BC and follows Noni, voiced by Winnie Harlow, in Crete. Another is about B’Kai (Larry Herron) fighting in the Trojan War alongside Achilles (Adam Gold). The third follows Basha, voiced by Jacques Colimon, in 1400 AD China where his mission has unexpected consequences as he comes back to Wakanda. The final episode follows Tafar (Zeke Alton) and Kuda (Steve Toussaint) in 1896 AD where an apparently easy mission to get an object turns into one of great stakes.

Halls said, “There are multiple benefits to having relatively standalone episodes set throughout such a grand timeline. On one hand, it doesn’t rely on prior knowledge of the MCU to work – a rarity these days. If you’re someone who just wants to see the cool, afrofuturist technology of the Hatut Zaraze beautifully rendered with a painted style animation from Axis Animation, you’ll get that. At the same time, if you’re an MCU die hard, this is a show that has exciting pieces of information that expands the world of Wakanda and the overall universe. From costuming that looks tangible to stories that touch on real world issues – you can feel the same authenticity here that has been present in the entirety of the Black Panther series, so far. That should come as no real surprise though, as the series is produced by Ryan Coogler’s Proximity Media.”

When you put all four episodes of “Eyes of Wakanda” together, they really do feel like a type of beautiful art pieces that you put in the foreground of the “Black Panther” realm you know and love. Halls said, “Far from just a filler until the third movie, this is a series with depth, fantastic animation, and fun stories that add incredibly cool elements to the entire MCU mythos.” If you’re a fan of Wakanda, this is a series you won’t want to miss.

For a series that only has four episodes, this should be an easy watch for any MCU fan, especially if you binge watch it. The animation is great, the stories are engaging, the action is intense, you will love it a lot. I recommend this show for everyone, especially the MCU fans. This is not one to miss, so check it out and enjoy.

Tomorrow I will be looking at a surprising sequel that I wasn’t expecting and was released this past summer in “Disney Month 2025.”